{"id":346,"date":"2022-07-22T03:49:04","date_gmt":"2022-07-22T03:49:04","guid":{"rendered":"https:\/\/dandorelleno.com\/?p=346"},"modified":"2022-10-03T18:42:56","modified_gmt":"2022-10-03T18:42:56","slug":"beethoven-y-su-obra","status":"publish","type":"post","link":"https:\/\/dandorelleno.com\/en\/beethoven-y-su-obra\/","title":{"rendered":"Beethoven and his work"},"content":{"rendered":"
Mozart<\/u><\/span><\/a>,<\/span> quite an icon back then, he was the ideal dreamed up by Johann Sr., for Beethoven, so he subjects him to an iron discipline that barely allowed him to <\/span>Ludwig<\/span><\/span> to interact with children his age, because in the possible spaces of time, far from playing, his father chooses to teach him piano, organ and clarinet and exercise in his desire to turn him into a wonder boy, so that at only 7 years old he has his first public performance. <\/span><\/p> In the education of the little one <\/span>Ludwig<\/span><\/span> plays a fundamental role, in addition to his father Johann the teacher <\/span>Christian Gottlob Neefe<\/span><\/span> who at the age of 12 teaches the boy <\/span>piano<\/b>, <\/span>low <\/b>continuous and <\/span>composition<\/b>; It also helps him to prepare some of his first works and, independent of music, provides him with knowledge about the most important works of ancient and contemporary thinkers. <\/span><\/p> At age 11, 1782 published <\/span>Beethoven<\/span> his first composition; the cultural world puts him in contact with important people through whom he later meets the classics through his friendship with the Ries and von Breuning families who influence the culture and his love of poetry and literature . In 1786 he traveled to the capital of <\/span>Austria<\/span>,<\/span> Vienna<\/span><\/span> with the support of his patron , Count Ferdinand von Waldstein, then 16 years old.<\/span><\/p> On the death of his mother and in the face of the alcoholic deterioration and subsequent incarceration of his father, <\/span>Ludwig<\/span><\/span> takes responsibility for his younger brothers and to survive he plays the violin in an orchestra and teaches piano for five years.<\/span><\/p> \u00a0March back to Vienna in 1792, where he would be until his last days; he dedicates his efforts to study and prepare himself in the search for social recognition through art; he receives composition, counterpoint and lyric classes, and initially confronts the evil that begins to afflict him, his deafness.\u00a0<\/span><\/p> At the age of 24, he published his first important work. In 1795 he gives his first concert in Vienna performing his own works; in 1796 he published three piano sonatas that were well accepted by the court, church and the nobility, now <\/span>patrons<\/span><\/span> of <\/span>Beethoven<\/span>.<\/span><\/p> In 1800 he presented his First Symphony in concert. A whole stage of fertile production and work. His advancing deafness worries the artist; concerns and states of mind expressed the following year in the well-known \u201cHeiligenstadt Testament\u201d show the desperation he feels in the face of being deaf and his rebelliousness in accepting it.<\/span><\/p>